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  • In this photo taken on May 5, 2026, Scientific Systems Intergration Manager Justin Bourke (L) and Senior Applications Scientist Alon Loeffler (R) point to a image from a microscope of cortical and hippocampal cells on a cell culture plate at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. Australian researchers have trained lab-grown brain cells on a silicon computer chip to play the nineties shooter "Doom" and say they are just scratching the surface on what the neurons could be capable of doing. (Photo by William WEST / AFP via Getty Images) / To go with 'AUSTRALIA-TECHNOLOGY-CHIPS-GAMEs,FOCUS' by Janelle Meager with Sophia Poole

  • In this photo taken on May 5, 2026, research scientist Daria Kornienko looks at a image from a microscope of cortical and hippocampal cells on a cell culture plate at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. Australian researchers have trained lab-grown brain cells on a silicon computer chip to play the nineties shooter "Doom" and say they are just scratching the surface on what the neurons could be capable of doing. (Photo by William WEST / AFP via Getty Images) / To go with 'AUSTRALIA-TECHNOLOGY-CHIPS-GAMEs,FOCUS' by Janelle Meager with Sophia Poole

  • In this photo taken on May 5, 2026, senior scientific specialist Kwaku Dad Abu Bonsrah pipettes nutrients onto neurons on Micro Electrode Array (MEA) chips at Cortical Labs' Physical Containment Level 2 (PC2) laboratory in Melbourne. Australian researchers have trained lab-grown brain cells on a silicon computer chip to play the nineties shooter "Doom" and say they are just scratching the surface on what the neurons could be capable of doing. (Photo by William WEST / AFP via Getty Images) / To go with 'AUSTRALIA-TECHNOLOGY-CHIPS-GAMEs,FOCUS' by Janelle Meager with Sophia Poole

  • British artist Harry Yeff (also known by his stage name Reeps100) and British-Canadian soprano Patricia Auchterlonie (R) perform on stage during a preview rehearsal of his piece "transference" which uses artificial intelligence (AI) to render the human voice, at the Royal Opera House in central London on May 29, 2026. The RBO/SHIFT is a new festival that looks at the intersection between opera and technology. (Photo by Henry NICHOLLS / AFP via Getty Images)

  • British artist Harry Yeff (also known by his stage name Reeps100) and British-Canadian soprano Patricia Auchterlonie (C) perform on stage during a preview rehearsal of his piece "transference" which uses artificial intelligence (AI) to render the human voice, at the Royal Opera House in central London on May 29, 2026. The RBO/SHIFT is a new festival that looks at the intersection between opera and technology. (Photo by Henry NICHOLLS / AFP via Getty Images)

  • British artist Harry Yeff (also known by his stage name Reeps100) and British-Canadian soprano Patricia Auchterlonie (R) perform on stage during a preview rehearsal of his piece "transference" which uses artificial intelligence (AI) to render the human voice, at the Royal Opera House in central London on May 29, 2026. The RBO/SHIFT is a new festival that looks at the intersection between opera and technology. (Photo by Henry NICHOLLS / AFP via Getty Images)

  • British-Canadian soprano Patricia Auchterlonie performs on stage during a preview rehearsal of the piece "transference" by British artist Harry Yeff (also known by his stage name Reeps100), which uses artificial intelligence (AI) to render the human voice, at the Royal Opera House in central London on May 29, 2026. The RBO/SHIFT is a new festival that looks at the intersection between opera and technology. (Photo by Henry NICHOLLS / AFP via Getty Images)

  • British artist Harry Yeff (also known by his stage name Reeps100) performs on stage during a preview rehearsal of his piece "transference" which uses artificial intelligence (AI) to render the human voice, with British-Canadian soprano Patricia Auchterlonie (not pictured), at the Royal Opera House in central London on May 29, 2026. The RBO/SHIFT is a new festival that looks at the intersection between opera and technology. (Photo by Henry NICHOLLS / AFP via Getty Images)

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